ptab"Matias H. Solstads Pentatonic RapePentatonic Licks in E minor Matias H. SolstadÿThis lesson could be useful for all players, from beginners to shreds, and almost every styles of rock. I: This is some different modes of the Pentatonic Scale II: Try to connect the different modes, this is just a example of one connection. III: This is a very basic pentatonic lick in Em. Very much used by plenty of guitarists all over the world.. IV: Another basic lick.. V: Very much used too. I have written down the pickstrokes here how I play it... This is some kind off easy economy picking, to save you from movements that's less neccesary.. VI: Just some possibly ways to end lick nr. 5 VII: Another useful lick.. IIX: This lick could be quite hard for someone, but try slow (So slow that it sounds perfect) and follow my pickstrokes there. Soon you will notice progression!!! IX: This lick is not that technical hard, but it needs concentration. X: This ends up with E minor scale, with som trills... Check back at www.powertabs.net for more lessons, you could also check out some great pentatonic players as Zakk Wylde, Eric Clapton, Rhandy Rhodes (Not only pentatonics) and Knut Schreiner (Turbonegro) Enjoy!!! Matias H. SolstadÿÿCGuitarUntitledh@Standard@;72-(ÿÿ CFloatingText"PLEASE READ THE PERFORMANCE NOTES!‘“%Times New Roman ¼ÿÿ CGuitarIn ÿÿCSection2 ΀AIÿÿCStaff! ÿÿ CPositionÿÿ CLineData  €€ €£ € €€ €!€ €‚ € €` €€ €b € €@ €!€ €B € € € € €# €  € € !€ € €  € €¥ € €§ € €… €! €‡ € €e € €g € €D €! €G € €% € €( € € €! € €ÿÿ CMusicBar€€2è |€ €$ € €§ € €ª € €‡ €! €Š € €g € €i € €G €! €I € €( €  €* €  € € ! € €  € € €¬ € €¯ € €Œ €! €Ž € €l € €n € €L €! €N € €, € €/ € € €! € €?€€€2– J*€BII €$  € €£ € €¥d € €§ €! €… € €‡ € €e € €gd €! €i € €G €  €I €  €( € ! €* €  € €  € d € € d €! €€2d  €CIII €  € €/ € €, €€  €N@e € €/ € €, €€  €N@e € €/ € €, €€  €N@e €  €/ €  €, € €  €N@e €  €/ € €, €€  €N@e € €/ € €, €€  €N@e € €/ € €, €€  €N@e € €/ € €, €€  €N@e?€ €€2# È€DIV €  €  €, €@ €/ €€ €, €€  €N@e €  €, €@ €/ €€ €, €€  €N@e €  €, € @ €/ € € €, € €  €N@e €   €, € @ €/ €€ €, €€  €N@e €  €, €@ €/ €€ €, €€  €N@e €  €, €@ €/ €€ €, €€  €N@e €  €, €@ €/ €€ €, €€  €N@e €  €, €@ €/ €€ €, € €  €N@e?€€€2â ”€EV €  ( € €N@e € €, €‘€  € €€@ €/ €!€ €, € €N@e € €, €‘€  € €€@ €/ € !€ €, €  €N@e €  €, € ‘€  € € €@ €/ €!€ €, € €N@e € €, €‘€  € €€@ €/ €!€ €, € €N@e € €, €‘€  € €€@ €/ €!€ €, € €N@e € €, €‘€  € €€@ €/ €!€ €, € €N@e €  €, €!‘€  € €"€@ €/ €#!€ €, €$ €N@e €% €, €&‘€  € €'€@ €/ €(!€ €,?€€€2® t€FVI €$ € €N@e € €, €‘€  € €€@ €/ €!€ €, €€ €N € €L €€ €n €! €l € € €Ž €  €Œ € € €¯ € ! €¬ €  € €N@e € €, €‘€  € €€@ €/ €!€ €, € €N €€ €L € €N €!€ €, € €/ €€ € € € €!€ € €?€€€2Ž 2€GVII €$  €+€  €  €+@ € €+@ € €+@ €/ €+@ €, €+!€ €/ €+€  €  €+@ € €+@ € € +@ €/ € +@ €, € +!€ €/ € +€  €  € +@ € €+@ € €+@ €/ €+@ €, €+!€ €/ €+€  €  €+@ € €+@ € €+@ €/ €+@ €, €+!€ €/€2L  €HIIX €$  €€  € €@ € €€ €/ €‘€  € €@ €/ €!€ €, €€  €/ €@ €, €€ €N € ‘€  €, € @ €N € !€ €L € €  €N € @ €L €€ €n €‘€  €L €@ €n €!€ €l €€  €n €@ €l €€ €Ž €‘€  €l €@ €Ž €!€ €Œþd € €Š?€€€2# Õ€IIX €$  € €¬ €€ €¯ € €Œ €!€ €Ž € €¯ €€ €Œ € €Ž €!€ €l € €Œ € € €Ž €  €l € !€ €n €  €Ž € € €l € €n €!€ €L € €n €€ €L € €N €!€ €, € €N €€ €, € €/ €!€ € € €, €€ €/ € € €!€ € €?€€€2ï ¨€JX €* $ €€ € € € €€ € €! €1 €€ €/ € €P €€ €N €! €q €€  €N € @ €P € € €N € ‘  €L € @ €N € !€ €L €€  €K €@ €L €€ €K €‘  €I €@ €K €!€ €I €€  €G €@ €I €€ €G €‘  €E €@ €G €!€ €E €€  €D €@ €E €€ €D €‘  €B €@ €D € !€ €B €!€  €@ €"@ €B €#!€ €@ €$ €@?€€€Untitled!h@Bass+&!€€2 }€ € ArialTimes New RomanTimes New Roman